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Issue #39

 

Issue #39 - Spring 2011

Editorial Comment Highlights

issue39

This is where landscapes rub their rough hands together: / where salt air slips through cracks in the concrete, / and rain beats the sliding glass doors, / until we recognize the night.

Horse
by Madeline Peterson

Welcome to issue 39 of The Claremont Review, the spring issue. Spring is fast-approaching in Victoria, in spite of one last snow storm that shut the city down for a day (the rest of Canada pointed at their televisions and laughed). Now, the first of the spring lambs are bouncing in Metchosin and the daffodils are beginning to poke through the frosty earth out on the peninsula farmlands. Another sign of spring is our annual writing contest, which closed on March 15. Every year we are impressed by the quality of the writing and the plethora of poems and short fiction submitted by blossoming young writers. Soon, the judges will begin the process of reading and selecting winners, which we look forward to publishing in our fall issue, number 40.

 

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But back to number 39. Margaret Atwood has said, "I read for pleasure and that is the moment I learn the most." We invite you to read the work in this issue and to find pleasure in what we believe is the very best in student writing from around the world. The stories and poetry within these pages reflect familiar themes—sibling rivalry, mother/son relationships, the death of a grandparent, homelessness—however, the writing is fresh and the observations, keen. We love our job as editors at The Claremont Review, because we continue to learn so much from the young writers who send us their poems, fiction, and art. We think you will too. For those who weren’t published this time around, please keep writing; we eagerly await your submissions!

 

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Table of Contents

 
cover art: Eye by Claire Bonderud

Poetry

 
Annakai Hayakawa Geshlider The Bone Room
Zachary Pascual Santella Summer Thoughts
  Stranger
Cliona Quail-Bradley The Stammer
Brian Christensen Brain-Powered Breathing
Alex Butterfield My Mother’s Homeland
  A Serious Conversation
Adrian Southin What I Should Have Done This Weekend
Robyn Van Ek Wanting to Crush him with my Spoon
Tara Moon Black and White Photographs
Hanna Kyla-Junnila Sylvia Plath
Carli Moncrieff Simple as Biting into a Peach
  First Dirt To Touch Skin
Katherine Flitton Biology Class, In Love
Alice Gauntley Spent
Cia Rolfe How I Loved Your Grandfather
Claire MacKay Red Stitching
Mitch Cram Talent in Generation Gaga
Alexandria Garcia Flesh and Bone
  To Kill a Spider
Leah Flatman Grandpa’s Toast
Sara Harding Eulogy
Michael Shaw Re-Entry
Becky Jansen The Bow Valley
  217 Anchor Avenue
Glenn Stowell My Bayside
Ian Kapron-King Sunsets on Other Planets
  Dipsea Trail
Rowan MacKenzie Trans-Canada Highway
  A Week’s Worth of Winter
Robyn Hope Where To Begin Your Essay
  Useless
  Sibling Rivalry
Sarah Khan Denial
  Paralysis
Monica Lee A Poem and a Cupcake
  Migration
  Elephants
Mary Lapp Salamat
  Farewell to the Coastline
  To A Half-Sibling Unborn
Madeline Peterson It’s Happening Again
  Horse
  Vicarious
Madeline Goodman Perspective
Kaylaa Dornan Reflection
  Zippo
Eric Protzer Ab-o
Eryn Sylvester 2010 Ark
   

Fiction

 
Ian Kapron-King Detachment
Kaylaa Dornan Valentine’s Day
Julia Ferguson Cold Smoke
Carolyn Orr Struggle to Get Afloat
Alex Butterfield How My Mother Became a Saint
Robyn Hope Sacred Carving
Carli Moncrieff Genius
Sarah Khan Comfort Food
Will Jevne Trail of Tears
Miranda Mammen On Opposite Platforms
Rachel Ward Harold
Leo Marchand Quality Time
Mitch Cram On the Road
Tara Moon Without Her Wings
Sara Harding Opera House
Lyn Li Che You Know This Much
   

Visual Arts

 
Adrian Southin Bikeseat
  Window Fan
   

Miscellaneous

 
  Contributors's Notes